What we see doesn't usually look at us with David Uessem, but we do experience his point of view. He basically offers the viewer a school of seeing and perceiving. He shows us how he technically dissects the gold in the representation in order to have represented the perfect material with a step back. The folds of the shiny foil become almost imperceptible brushstrokes, which are only visible when approaching very closely. Every work, every material impresses with its perfection and completion.

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